gabriel cornelius von max
![](https://veryimportantlot.com/uploads/art_data/Artist/1171/макс.jpg)
Gabriel Cornelius Ritter von Max was a Prague-born Austrian painter.
Gabriel von Max was a significant artist to emerge from the Piloty School, because he abandoned the themes of the Grunderzeitliche (genre and history), in order to develop an allegorical-mystical pictorial language, which became typical of Secessionist Art.
![](https://veryimportantlot.com/cache/catalog/2471/1uzC957eU0VKnYSEh4YilksgXJHqS0o2TW3DL0ElwBTcPgyBrgKPlejh4W2lm10p_1651181297-172x196_center_100.jpg)
![](https://veryimportantlot.com/uploads/art_data/Artist/1171/макс.jpg)
Gabriel Cornelius Ritter von Max was a Prague-born Austrian painter.
Gabriel von Max was a significant artist to emerge from the Piloty School, because he abandoned the themes of the Grunderzeitliche (genre and history), in order to develop an allegorical-mystical pictorial language, which became typical of Secessionist Art.
![](https://veryimportantlot.com/cache/catalog/4191/oE1ZpcRffCgIzf5EgXI4xFHfRqshGOfbAG83_yXornCb91DuCmvhjgKYKJGIHk5k_1712304409-172x196_center_100.jpg)
![](https://veryimportantlot.com/uploads/art_data/Artist/1171/макс.jpg)
Gabriel Cornelius Ritter von Max was a Prague-born Austrian painter.
Gabriel von Max was a significant artist to emerge from the Piloty School, because he abandoned the themes of the Grunderzeitliche (genre and history), in order to develop an allegorical-mystical pictorial language, which became typical of Secessionist Art.
![](https://veryimportantlot.com/cache/catalog/1209/EN7Oy3Q_x_1S-dJ1pemP5lbhv1X36s6AvL-xcRJSK3QU-1v7OxKuudsB5yNjTiS1_1602240804-172x196_center_100.jpg)
![](https://veryimportantlot.com/uploads/art_data/Artist/1171/макс.jpg)
Gabriel Cornelius Ritter von Max was a Prague-born Austrian painter.
Gabriel von Max was a significant artist to emerge from the Piloty School, because he abandoned the themes of the Grunderzeitliche (genre and history), in order to develop an allegorical-mystical pictorial language, which became typical of Secessionist Art.
![](https://veryimportantlot.com/cache/catalog/3151/gAafKLyA5_ZWcfc-hk6IWR_syIhIysOdqmkvxqs4Z1CptHTdJCfSctTNg396Fm4M_1682454041-172x196_center_100.jpg)
![](https://veryimportantlot.com/uploads/art_data/Artist/1171/макс.jpg)
Gabriel Cornelius Ritter von Max was a Prague-born Austrian painter.
Gabriel von Max was a significant artist to emerge from the Piloty School, because he abandoned the themes of the Grunderzeitliche (genre and history), in order to develop an allegorical-mystical pictorial language, which became typical of Secessionist Art.
![](https://veryimportantlot.com/cache/catalog/3736/VwJCspOjcd1svaYB1oYu11I0julLD89itH3L_n82LRBqbehOWV7z3SkJEXqzj_vw_1698658256-172x196_center_100.jpg)
![](https://veryimportantlot.com/uploads/art_data/Artist/1171/макс.jpg)
Gabriel Cornelius Ritter von Max was a Prague-born Austrian painter.
Gabriel von Max was a significant artist to emerge from the Piloty School, because he abandoned the themes of the Grunderzeitliche (genre and history), in order to develop an allegorical-mystical pictorial language, which became typical of Secessionist Art.
![](https://veryimportantlot.com/cache/catalog/4243/eSzF8sty-Qnp9p_aNtywd8eEXXXgnJhLqiFrzekIRlQ0X7gg8n6GpHvVgKxT8Ut2_1713939036-172x196_center_100.jpg)
![](https://veryimportantlot.com/uploads/art_data/Artist/1171/макс.jpg)
Gabriel Cornelius Ritter von Max was a Prague-born Austrian painter.
Gabriel von Max was a significant artist to emerge from the Piloty School, because he abandoned the themes of the Grunderzeitliche (genre and history), in order to develop an allegorical-mystical pictorial language, which became typical of Secessionist Art.
![](https://veryimportantlot.com/cache/catalog/4632/IHYAgH2DNWMVE9SxZBCo9H0hLz6ZbMukI2463c2vvg180Q3DD3h_IWww0jAF2_bm_1731063557-172x196_center_100.jpeg)
![](https://veryimportantlot.com/uploads/art_data/Artist/1171/макс.jpg)
Gabriel Cornelius Ritter von Max was a Prague-born Austrian painter.
Gabriel von Max was a significant artist to emerge from the Piloty School, because he abandoned the themes of the Grunderzeitliche (genre and history), in order to develop an allegorical-mystical pictorial language, which became typical of Secessionist Art.
![](https://veryimportantlot.com/cache/catalog/1117/_bk0Pe5Iga7A_teQugga0Y_Fi_tiK4eRqkTRr38UhOgbA1XUj1SF0o1npy9yHdVl_1598387954-172x196_center_100.jpg)